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1Quadrophonische Symphonie Für Orchester Und E-Maschinen
21. Satz: Ebene29:00
32. Satz: Gewitter (Energy Rise - Energy Collaps)
43. Satz: Exil Sils Maria21:27


CategoryArtistTitle (Format)LabelCategoryCountryYear
LSM-2340/02Klaus Schulze Irrlicht ‎(CD, Album, RE, Unofficial)Landy Star MusicLSM-2340/02Russia2002
BRAIN 1077, 0001 077Klaus Schulze Irrlicht ‎(LP, Album, RE)Brain, BrainBRAIN 1077, 0001 077GermanyUnknown
CDTB 133Klaus Schulze Irrlicht ‎(CD, Album, RE)Thunderbolt, The Magnum Music GroupCDTB 133UK1991
MOCCD 13192Klaus Schulze Irrlicht ‎(CD, Album, RE)Music On CDMOCCD 13192Europe2014
1077Klaus Schulze Irrlicht ‎(LP, Album, RE)Brain1077GermanyUnknown


  • Music By, Electronics [E-maschinen], Organ, Guitar, Zither [Zitter], Voice, Chorus, Percussion, Producer, Engineer, Cover, Photography ByKlaus Schulze


Includes an insert.
Cover laminated on the outside only.

Subtitled: "Quadrophonische Symphonie für Orchester und E-Maschinen".

Orchester mit 4 Erste Geigen, 4 Zweite Geigen, 3 Bratschen, 8 Celli, 1 Kontrabaß, 2 Hörnern, 2 Querflöten, 3 Oboen
Vielen Dank dem Orchester, dem Kapellmeister und dem Dirigenten für die schwierige Unterstützung!

Fünfundzwanzigste Ohr-Platte. Aufgenommen 1972 im Musiksaal der Freien Universität Berlin und im Studio Klaus Schulze.

Seite 1: Total time 29:00

P. 1972
Made in Germany by Ohr/Metronome Records GmbH

Nur Stereo und Mono abspielbar


  • Rights Society: GEMA
  • Matrix / Runout (Side A runout, stamped): 0664 179 S1 OMM 556 022 A ℗ 1972 320 1
  • Matrix / Runout (Side B runout, stamped): 0664 179 S2 OMM 556 022 B ℗ 1972 320 1


  • Made By – Ohr
  • Made By – Metronome Records GmbH
  • Recorded At – Musiksaal Der Freien Universität Berlin
  • Recorded At – Klaus Schulze Studio
  • Pressed By – Deutsche Grammophon Gesellschaft Pressing Plant – 0664 179
  • Lacquer Cut At – Deutsche Grammophon Gesellschaft Pressing Plant



Irrlicht is the first album by Klaus Schulze. Originally released in 1972, in 2006 it was the sixteenth Schulze album reissued by Revisited Records as part of a series of Schulze album reissues. Recorded without a synthesizer, Irrlicht's set of early organ drone experiments is not exactly the music for which KS got famous. The album's complete title is: Irrlicht: Quadrophonische Symphonie für Orchester und E-Maschinen German: Will-o'-the-wisp: Quadraphonic Symphony for Orchestra and Electronic. Формируйте собственную коллекцию записей Klaus A good experimental electronic album to soothe my pretentious nerves Klaus Schulze first solo album was released in 1972 on Schulze: все альбомы, включая Next of Kin Music from the Motion Picture Soundtrack , Timbres of Ice , Trance 4 Motion и другие. Irrlicht was in some ways even more ahead of its time than his work with electronics, seeing Schulze creating ambient drones and highly experimental cosmic sounds made completely without the use of synths. Klaus Schulze - Irrlicht 1972. To favorites 9 Download album. Listen album. Klaus Schulze. Klaus Schulze - Dungeon. Total votes: 17. Other albums by Klaus Schulze. Contemporary Works I - Disc V: Klaus Schulze Vs. Solar Moon - Docking. Berlin School. Electronic Ambient Berlin School. Listen free to Klaus Schulze Irrlicht 1. Satz: Ebene, 2. Satz: Gewitter and more. 3 tracks 50:26. The album's complete title is: Irrlicht: Quadrophonische Symphonie für Orchester und E-Maschinen German: Will-o'-the-wisp: Quadraphonic Symphony for Orchestra and Electronic Machines. Its atmospheric drone music tone is similar to Tangerine Dream's album Zeit released the same month as it stemmed from . X is the tenth album by Klaus Schulze. It was originally released in 1978, and in 2005 was the fifth Schulze album reissued by Revisited Records. On X Schulze attempted to execute a concept album of six musical biographies evoking contemporary or historical intellectuals with an influence on Schulze: Friedrich Nietzsche, Georg Trakl, Frank Herbert, Friedemann Bach, Ludwig II. von Bayern, and Heinrich von Kleist. In Ludwig II. von Bayern Schulze uses a theme borrowed from the third movement of. IRRLICHT is the first solo album by Klaus Schulze, originally released in August 1972. The German title translates Will-o'-the-wisp. Satz: Ebene 23:23. Satz: Gewitter Energy Rise - Energy Collapse 05:39. Satz: Exil Sils Maria 21:25. Dungeon 24:00 Bonus Track. Recording Date: April 1972. Recording sites: Berlin. Recording engineers: Klaus Schulze. Producers: Klaus Schulze. Composers: Klaus Schulze. Musicians: Klaus Schulze, Colloquium Musica Orchestra Berlin

Télécharger le Klaus Schulze - Irrlicht gratuitement
Klaus Schulze
la taille du FLAC:
1106 mb
la taille du MP3:
1910 mb
la taille du WMA:
1871 mb
Publié sur:
Aug 1972
Experimental, Ambient, Krautrock, Berlin-School
Catalogue №:
OMM 556.022
This is my favourite KS record. This is haunting space music I've never heard such thing before. I have the 2006 rerelease by reveisted and I can only advise this version to anyone. thank you kS !
I discovered Klaus Schulze while I was listening to electronica. His collaborations with Pete Namlook has provided one of the biggest discographies I have ever seen, with over 130 albums on his account alone. But in the beginning Klaus was all about exploring the possibilities of his synthesizer, after leaving Manuel Göttsching and Ash Ra Tempel behind. "Quadrophonische Symphonie für Orchester und E-Maschinen", the undertitle of this release, shows what he sought to create with his toys. It's really a haunting experience, and one of the toughest albums I've listened through. But that is what makes it all that special. When it's all over, you feel a sense of relief, like you have endured something rather than listened to it.
it changed my life definitely, thank you very much Klaus
So, with the aid of a small orchestra (who thought Klaus was mad), several tape machines, electronic gadgetry, an organ, guitar, percussion and various odds and ends, Klaus went on to produce what is arguably the first real "cosmic" electronic album (Tangerine Dream's ZEIT was recorded a month later!) despite the absence of any real synths. What was created is a music that is flowing, spacious, melodic yet also abstract, featuring sequential or systemic type patterns (a touch of Terry Riley maybe) and an overdose of effects taking the listener into the nether regions of infinity. In three parts, yet almost sounding as one piece, IRRLICHT offered a choice of directions for Klaus to pursue: the sequential style of Ebene, the dramatic chance electronics of Gewitter, and the abstract reverse tape cosmic cacophony of Exil Sils Maria. Another track: Land appeared on the KOSMISCHE MUSIK sampler suggesting even more Terry Riley influence. Although recorded three months later, Land was very much in character with IRRLICHT, it further went on to consolidate Klaus' talents as a keyboard musician and engineer, and despite being voted number 5 instrumentalist of the year in German Sounds magazine he still remained relatively unknown in his homeland.
From my Klaus Schulze feature in Audion #21, published in May 1992
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