Written-By – A. Farolfi, Bobby Z., G. Polli, G. Boretti, L. Coleman, W. Melvoin
Vidéo
Album
The First Steps of Neja - Neja. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Take Me to the Club - Neja, Deeper. Restless also known as Restless I Know You Know is a 1998 Eurodance-single by Italian singer Neja. It was released in February 1998, as her second single, taken from her first album, The Game. Producermusician Alex Bagnoli produced the song for Pippo Landro's Milan-based indie New Music. Neja co-wrote it with Bagnoli. The song was very popular in Europe in the summer of '98 and peaked at number-one in Italy in May same year. It also peaked at number 18 in Denmark, number 32 in Belgium and. Play album. The Game. 15 listeners. 1999 10 tracks. To the Music. 5 listeners. 2003 4 tracks. To the music. Smoothing slightly like the silk penetrates beneath my skin makes me sweat like nothing else. I'm a pure slave to the groove touch my senses, make me move and make me shake like no one else that's the 2017 4 Songs. Neja - EP. Dance , lyrics. Browse by album: Hot Stuff 2003. The Game 2000. Other Songs. Lyrics for album: Hot Stuff 2003. Hot Stuff. Knock Knock Knock. Back 4 The Morning. Singin' Nanana. Time Flies. To The Music. A-Z Lyrics Universe. Follow us. Music blog. Addcorrect lyrics. This song is by Neja. Smoothing slightly like the silkPenetrates beneath my skinMakes me sweat like nothing else 'causeThat's the way some people like it. I make love to the music'Cause I'm in love with the music indeed. I'm a pure slave to the grooveTouch my senses, make me move andMake me shake like no one elseThat's the way some people like it. I make love to the music'Cause I'm in love with the music indeedNow now now. Into the Music may not seem like a great Van Morrison record, one of his very best, upon first listen, especially if you're trying to compare it to such masterpieces as Astral Weeks and Moondance, or even Tupelo Honey. Yet this is certainly one of his best records, one that is quietly winning and thoroughly ingratiating, sounding stronger, even irresistible, with each new spin. In a sense, this is the definitive post-classic-era Morrison, since it summarizes all of his attributes while showcasing each at a peak
