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Zombies Big Beat Records Psychedelic Rock 1997

Tracklist

1	Friends Of Mine Written-By – Chris White
2	Butcher's Tale (Western Front 1914) Written-By – Chris White
3	Brief Candles Written-By – Chris White
4	Time Of The Season Written-By – Rod Argent
5	This Will Be Our Year Written-By – Chris White
6	Maybe After He's Gone Written-By – Chris White
7	I Want Her She Wants Me Written-By – Rod Argent
8	A Rose For Emily Written-By – Rod Argent
9	Beechwood Park Written-By – Chris White
10	Changes Written-By – Chris White
11	Hung Up On A Dream Written-By – Rod Argent
12	Care Of Cell 44 Written-By – Rod Argent

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
S 63280, 63280, SPBG 63280	The Zombies	Odessey And Oracle ‎(LP, Album)	CBS, CBS, CBS	S 63280, 63280, SPBG 63280	UK	1968
REP 2398, REP 2207, V 102S, V 102 S, V102s	The Zombies	Odessey And Oracle ‎(LP, Album, Ltd, RE, RM, Ora)	Repertoire Records, Repertoire Records, Repertoire Records, Repertoire Records, Repertoire Records	REP 2398, REP 2207, V 102S, V 102 S, V102s	UK	2018
27.017	The Zombies	Odessey And Oracle - Tiempo Para Amar ‎(LP, Album, Tra)	CBS	27.017	Uruguay	1969
302 067 254 3	The Zombies	Odessey And Oracle ‎(LP, Album, Ltd, RE, Red)	Varèse Vintage	302 067 254 3	US	2015
REP 4214-WZ	The Zombies	Odessey And Oracle ‎(CD, Album, RE)	Repertoire Records	REP 4214-WZ	Germany	1992

Crédits

Artwork – Terry Quirk
Lacquer Cut By – Ray Staff
Liner Notes – Rod Argent
Producer – Chris White , Rod Argent

Notes

30th Anniversary Edition

"Be not afraid;
The isle is full of noises
Sound, and sweet airs that give delight and hurt not.
Sometimes a thousand twanging instruments
Will hum about mine ears; and sometimes voices"
(Shakespeare)

Lacquers cut directly from original analogue tapes at Whitfield Street.

"We have used the mono version of 'This Will Be Our Year' for this anniversary edition, rather than using the fake stereo that was used on the original Stereo LP CBS LP S63280. All the other recordings were made in stereo."

℗ 1968 except [B3] ℗ 1997 Marquis Enterprises (on sleeve)
℗ 1968 Marquis Music Enterprises (on A-side label)
℗ 1968 except [B3] ℗ 1997 Marquis Music Enterprises (on B-side label)

Info on "This Will Be Our Year" One major problem arose when it came time to mix "This Will Be Our Year" into stereo. The Zombies' original producer Ken Jones, had dubbed live horn parts directly onto the mono mix. With the horns not having been recorded on the multi-track beforehand, a faked stereo mix had to be made of the mono master.

Codes-barres

Barcode (Scanned): 029667418119
Barcode (Text): 0 29667 41811 9
Label Code: LC 9797
Rights Society: MCPS
Matrix / Runout (Side-A, label): WIKD 181-A
Matrix / Runout (Side-B, label): WIKD 181-B
Matrix / Runout (Side-A, stamped): 53314 2A WIKD 181
Matrix / Runout (Side-B, stamped): 53314 2B WIKD 181

Entreprises

Lacquer Cut At – Whitfield Street Studios
Pressed By – Sony/CBS, Haarlem – 53314
Phonographic Copyright (p) – Marquis Enterprises
Copyright (c) – Marquis Enterprises
Licensed To – Ace Records Ltd.
Record Company – Ace Records Ltd.
Published By – Verulam Music Co. Ltd.

Vidéo

Album

Odessey and Oracle is the second studio album by English rock band The Zombies. Mainly recorded between June and August 1967 at Abbey Road and Olympic. Формируйте собственную коллекцию записей and Oracle is the second studio album by English rock band the Zombies. It was originally released in the UK in April 1968 by CBS Records. The album was recorded over a period of three months between June and August 1967. The sessions took place at Abbey Road Studios and Olympic Studios in London. It was received indifferently on release. A single from the album Time of the Season later became a surprise hit in the United States in early 1969. Odessey And Oracle. The Zombies - Odessey And Oracle 1968. To favorites 18 Download album. Listen album. The Zombies. Songs in album The Zombies - Odessey And Oracle 1968. The Zombies - Care Of Cell 44. The Zombies - A Rose For Emily. Line Up : Colin Blunstone lead vocals Rod Argent organ, piano, harpsichord, Mellotron, vocals lead vocals on I Want Her, She Wants Me and the first verse of Brief Candles Paul Atkinson guitar, vocals on Changes Chris White bass guitar, vocals lead vocals on Butcher's Tale Western Front 1914 and the second verse of Brief Candles Hugh. Listen free to The Zombies Odessey and Oracle Care of Cell 44, A Rose for Emily and more. 12 tracks 34:40. Their 1968 album Odessey and Oracle is ranked number 100 on Rolling Stone's list of the 500 Greatest Albums of All Time. The Zombies were inducted into the Rock and Roll Hall of Fame in 2019. The Zombies signed to Decca and read more. The Zombies are an English rock band formed in 1962 in St Albans and led by keyboardist and vocalist Rod Argent and vocalist Colin Blunstone. The group scored British and American hits in 1 read more. Odessey and Oracle was intended as a final statement, a bold last hurrah, having worked hard for three years only to see the quality of their gigs decline as the hits stopped coming. The results are consistently pleasing, surprising, and challenging: Hung Up on a Dream and Changes are some of the most powerful psychedelic poprock ever heard out of England, with a solid rhythm section, a hot Mellotron sound, and chiming, hard guitar, as well as highly melodic piano. Odessey and Oracle. Released April 19, 1968. Odessey and Oracle Tracklist. Care of Cell 44 Lyrics. Released on April 1968, Odessey and Oracle is perhaps the Zombies' most popular album, gaining fast critical acclaim. Its psychedelic, rock and pop themes allowed the album to be held as one of the most influential albums of the 60s, as well as one of the best from that era, considering the entries on multiple best of all time lists such as Rolling Stone. Four singles were released from Odessey and Oracle: Friends of Mine, Care of Cell 44, Time of the Season and Butchers Tale Western Front 1914. Album 1968 12 Songs. Рок not for Odessey and Oracle the Zombies would be remembered as a minor band from the second wave of the British Invasion in the fall of 1964 which also brought in the Animals and the Kinks. The Zombies created a whole new sound for this album. Before their sound had been Blunstones voice with minimal harmonies from the others. Here they are a group whose vocal parts use complex harmonies, often without one singer dominating. The B-Side. The audience asks questions about The Zombies' 1968 album Odessey and Oracle. Paul Weller on Odessey and Oracle. Paul Weller talks to John Wilson about The Zombies' album Odessey and Oracle. Paul Weller and The Zombies. Duration: 01:13. The Zombies on splitting up and misspellings. Duration: 02:36. The Zombies - A Rose for Emily

Interprète:

The Zombies

Titre:

Odessey And Oracle

Genre:

Rock

la taille du FLAC:

2410 mb

la taille du MP3:

1282 mb

la taille du WMA:

1604 mb

Pays:

Publié sur:

1997

Label:

Big Beat Records

Style:

Psychedelic Rock

Classement:

4.0

Catalogue №:

WIKD 181

Arcanefist

Ok so I have just received a copy of this Big Beat pressing, purchased for £10, not sealed so has been used but is pretty much N/Mint. Everything looks authentic, cover and labels are clear and not “fuzzy”, and it’s the stamped matrix copy. I can confirm that there is no brief whisper during the intro to ‘Changes’, and there are categorically NO horns during ‘TWBOY’!! So definitely is not a mono version for ‘TWBOY’. Overall the sound quality is excellent and it’s a nice quiet vinyl, but as ‘TWBOY’ isn’t mono as advertised on the back of the cover, then surely this cannot be a genuine copy (??). Common sense would suggest a stamped matrix should indicate a true copy as that’s true for 99.9% of stamped original pressings as opposed to their etched bootleg counterparts (etching being easier to fake than stamping), but this certainly throws that theory out of the window......well at least for this version. In any case the copy I have does sound great regardless, and will be a more than adequate substitute until I bag an original mono copy that’s not being trashed and can be picked up for a bargain price.......hopefully a seller at some point doesn’t realise quite what they have and advertises it wrong on eBay....oh and this seller also has an original drag cover of Bowie’s TMWSTW.......what are the odds??!! ;-)

Kadar

So far on the Zombies O&O thread:https://forums.stevehoffman.tv/threads/zombies-odessey-and-oracle-best-pressing.733452/page-8#post-21181827we have reasoned forth that there exist etched matrix copies from the late 90s, one example has "WIKD 181-A / B" only and an "MA" initial marking standing for Maxwell Anandappa who worked for Damont. Damont also existed between 86 and 2006 before they closed.One way to possibly also identify an early copy is if there are horns on This Will Be Our Year. This likely means that a legit analog source was used but of course its possible to use multiple sources for a record cut.Its all still up in the air on whats good and not. There also exist etched runouts with dotted lines instead of fully etched, those seem to not be of legit sources, and some stamped versions also seem much later and not very good.

Narim

Original Big Beat from '97: WIKD 181 A/B (ETCH)Stacked or stamped are later pressings.1969 US Terre Haute pressings are nice if clean.Time of the Zombies is a 2 lp that contains both USA lp's and sounds great.2012(?) Repertoire Mono lp is my go to...Nice.Original Date/CBS $$$$, not worth it for sound alone... IMO

Natety

NOTE: The "fake stereo" is actually a stereo mix that sounds good in mono and in stereo.Also, The "real" pressings have etched runouts. The "fake" pressings have stamped runouts.Timothy Honiss .

Grari

Billhambone I think you mean the other way around. Machine stamped matrix is legit, hand-etched is counterfeit. I also have both. The more recent pressings available from Amazon are hand etched, and sound like garbage. The 1997 Big Beat is machine stamped and all analog and sounds fantastic. There are people who have hand etched pressings from the 90s that sound great. Its all a big pot of indestinguishable pressings that no one wants to sort.

Mavegelv

I think you mean the other way around. Machine stamped matrix is legit, hand-etched is counterfeit. I also have both. The more recent pressings available from Amazon are hand etched, and sound like garbage. The 1997 Big Beat is machine stamped and all analog and sounds fantastic.

Tamesya

leonthepro timothyhoniss I was replying to "jimmythemod76" not leonthepro .sorry for the confusion. Leonthepro, I have compared it to the original UK pressing (CBS ‎– S 63280, CBS ‎– 63280, CBS ‎– SPBG 63280) and another copy that I borrowed from a friend. So it sounds better than the original? In my opinion, yes, it sound richer and the vinyl quality and sleeve is great.

Beazekelv

timothyhoniss I was replying to "jimmythemod76" not leonthepro .sorry for the confusion. Leonthepro, I have compared it to the original UK pressing (CBS ‎– S 63280, CBS ‎– 63280, CBS ‎– SPBG 63280) and another copy that I borrowed from a friend. So it sounds better than the original?

Marg

I was replying to "jimmythemod76" not leonthepro .sorry for the confusion. Leonthepro, I have compared it to the original UK pressing (CBS ‎– S 63280, CBS ‎– 63280, CBS ‎– SPBG 63280) and another copy that I borrowed from a friend.

Painwind

timothyhoniss Yep, it is cheaper than the original pressings and sounds great. This pressing seems to be the best recent pressing. All others sound a bit "meh". That answered neither of my 2 questions.

Jorius

Yep, it is cheaper than the original pressings and sounds great. This pressing seems to be the best recent pressing. All others sound a bit "meh".

Kuve

timothyhoniss I have found it to be my favorite pressing of this album. So which pressings have you tried and what does your copies runouts look like, can you share a picture?

FRAY

I have found it to be my favorite pressing of this album.

Velan

CBS/Haarlem (and later Record Industry) used stamped runouts. Also I was under the impression that "This Will be Our Year" is mono. There's like no consensus to this and it keeps on changing. lol

Nea

Are you sure about that? It would make more sense that stamped runouts are harder to fake while etched ones are much easier and harder to pinpoint as the actual one. I mean what if there is a counterfeit thats also etched, how do you tell which etching is right?

AnnyMars

Hello sorry to bother you. Is it worth getting this version. Does it play and sound great. Jamie.

Butius

My copy have : Matrix / Runout (Runout Side A, stamped): 53314 2A WIKD 181Matrix / Runout (Runout Side B, stamped): 53314 2B WIKD 181Awful sound, sibilance, compressed pressing...

Faugami

timothyhoniss If it is stamped, it is a counterfeit pressing. The real pressings are etched. I know because I have two copies of this pressing, one etched, one stamped. At this point its impossible to know. Ive heard some say stamped and some say etched. Looks like its useless to ask.

Agarus

If it is stamped, it is a counterfeit pressing. The real pressings are etched. I know because I have two copies of this pressing, one etched, one stamped.

Sharpbinder

lustman My copy have : Matrix / Runout (Runout Side A, stamped): 53314 2A WIKD 181Matrix / Runout (Runout Side B, stamped): 53314 2B WIKD 181Awful sound, sibilance, compressed pressing... Are they really stamped or etched?

Goktilar

The new copies currently in stores appear to be a legit release that is *based on* the 1997 edition. The back cover clearly refers to www.acerecords.co.uk, which I doubt existed in 1997, and Ace Records is selling new copies on their website. Unlikely to be counterfeit, but it'd be great if anyone can find out when these newer copies were produced so we can have a proper discogs entry for it.

Whitesmasher

calluses I stand corrected. That domain was registered before August 1996. However, I still think these new sealed copies that I find in all Toronto record shops surely can’t be NOS from 1997. It must’ve been repressed in recent years, but not sure when. Some of the new ones sound awful though, what matrix runouts does your copy have if it was purchased in late 90s? Need very detailed descriptions please.

Ungall

I stand corrected. That domain was registered before August 1996. However, I still think these new sealed copies that I find in all Toronto record shops surely can’t be NOS from 1997. It must’ve been repressed in recent years, but not sure when.

Ffleg

this isn't true, the web existed then, plus they say "we are also on the world wide web" which was something that was said back then when the internet was new.

Goodman

BEWARE! The 1997 Big Beat version has stamped matrix numbers. The version that's being sold on Amazon right now is a counterfeit. It has hand written deadwax numbers, the label fonts are different and everything looks kind of fuzzy. It also sounds dull compared to the all analog version from 1997.

Thomand

Billhambone BEWARE! The 1997 Big Beat version has stamped matrix numbers. The version that's being sold on Amazon right now is a counterfeit. It has hand written deadwax numbers, the label fonts are different and everything looks kind of fuzzy. It also sounds dull compared to the all analog version from 1997. Theres contradicting info, some say the original is handwritten and some say its stamped. Some people who bought their copy in late 90s claim they have hand written matrixes also.

Hiylchis

Not true. it is the other way around. The Big Beat version has hand etched runouts and the fake copies have stamped runouts.

Yannara

Guy says that the stamped sounds bad. Are you sure its the stamped matrix which is the good one?

Obong

If you use common sense, you will realize that a record pressed 20 years ago is still not still being sold as new....

Jark

I bought this shortly after its release, and mine has hand scratched cat. numbers in the dead wax (not stamped). "This Will Be Our Year" has horns, so I guess it is the mono mix? Quality seems good, so perhaps there are multiple Big Beat pressings? Photos of the labels (for the counterfeit) and a separate listing would be useful for ID.

Alsalar

Thanks for the insight...I just saw this copy at the local record store. I'll pass.

Lyrtois

This release, as well as the mono/stereo Big Beat CD, both sound great. If you are seeking this album on vinyl, it's worth noting that at the time of this writing this is the only version in print/still available out of the 3-4 I see in record stores that's cut from analogue tapes.

Mightsinger

Cut from analogue tapes, can't be bad!

Sharpbringer

I wasn't sure about this reissue (Big Beat, UK, 1997) but it sounds really great. It's well balanced and clear. I wish I could compare it with an original issue.

Naa

The notes claim that they're using the mono mix of "This Will Be Our Year" but it really sounds like they found a stereo mix without horns as it's most definitely not mono and doesn't smack of fake stereo.